When he was 34 years old he took over the Brodman workshops and set about improving their pianos. The Viennese pianos were traditionally mellow in sound with a light and easy touch of the action. Improving the construction allowed for heavier strings and a stronger action, thus making the tone much more like that of the modern piano.
In the piano world, high quality speaks for itself - the rugged reliability of Bösendorfer pianos won the admiration of virtuosos. Franz Liszt, known for his formidable technique found it difficult to find a piano that could withstand his vigourous playing - until friends suggested he try a Bosendorfer Piano for his recitals. Using a Bosendorfer, he was impressed to find at the end of the recital, the piano was undamaged! This sensational moment established the Bosendorfer Piano's reputation and their long association with Franz Liszt who wrote, “The perfection of a Bösendorfer exceeds my most ideal expectations...”
|1980s UK Letterhead|
About 1860, Ludwig Bösendorfer succeeded his father in carrying on the business and moving to a new factory in New Vienna. Bösendorfer had to move again ten years later to cope with the growing demand for Bosendorfer Pianos.
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