Showing posts with label F W Collard. Show all posts
Showing posts with label F W Collard. Show all posts

Wednesday 22 October 2014

Collard & Collard Serial Nos.


Year
Serial No.
Year
Serial No.
1908
173300
1936
194780
1909
174250
1938
195570
1910
175005
1940
196120
1911
176210
1941
196300
1915
182280
1947
196400
1916
183630
1949
196870
1917
185220
1950
197000
1918
186360
1951
197200
1919
186980
1952
197400
1920
187505
1953
197538
1922
188580
1954
197634
1924
189960
1955
197776
1926
191390
1956
197938
1928
192310
1957
198121
1930
193320
1958
198191
1931
193580
1959
198255
1935
194500
1960
198400

These serial numbers can be used only as a reference point.
An Exact date does not make a material difference to an assessment of a piano - a year or so out 120 years ago really is neither here more there.

The idea that 100% accuracy for all piano makers over a century ago is an interesting thought - but considering that all record keeping would be hand-written and kept in large ledger books, inaccuracies are likely. These records will be as reliable as the clerks whose job it was to keep them. The digital age of barcodes and scanned labels was still in the realm of science fiction. So we have to be content with our best guess numbers.

Back to the Piano Atlas

Wednesday 11 December 2013

Collard & Collard

The history of Collard & Collard begins around 1760. The story starts with a Music Publishing Company called Longmann & Broderip who dabbled in making pianos. Muzio Clementi, whose many compositions were published by Longmann & Broderip was interested in having a piano-making facility and, being wealthy, he invested in the piano factory and brought in his associates F.W. & W.P Collard to manage it. 

Clementi traveled widely and sold Pianos along with his compositions.
Orders were sent back to London from wherever Clementi visited - he was a very shrewd businessman. At this time, the company was called Clementi & Company. 

F.W. Collard introduced improvements to their pianos, on the strength of which, they took a significant share of the market. When Clementi died in 1832, the firm became known as Collard & Collard. By this time the pianos were solidly built by craftsmen and had a proven reliability.

The Diary of a Nobody  was published in 1892, written by George & Weeden Grossmith. This charming book is a classic of English literature, telling the story of a Mr. Charles Pooter and describes mundane life in late Victorian England. One anecdote involves a new cottage piano - bought on the three years' system, manufactured by W. Bilkson (in small letters) from Collard & Collard (in very large letters). Collards were by this time at least a well-known household name.
Collard & Collard had established themselves as makers of good quality and reliable pianos. They continued to be popular well into the early 20th century. In the late 1920s the piano trade was having to adjust to the harsh realities of very poor sales. Many long-established makers had to close, those whose 'names' were deemed to have value were bought by the stronger of the surviving companies.
Collard & Collard was eventually bought by Chappells.


Directory of Piano Makers

© Steve Burden