A Strange Fondness for Old Pianos

There is a strange fondness for old pianos among many who set out to buy an inexpensive piano for that corner spot in the front room. The thinking seems to assume that if it is old, whatever the maker's name on the front, it has to be a good piano. 

Old pianos do have a charm about them, their looks, proportions, the ivory keys (if present and in good condition) will give out a sense of nostalgia - and you might even hear a whisper in your ear saying, "This is how pianos were made in the golden age!" 

But 80 years on, many of the original qualities have drained away - slipped like sand through the hourglass of time. What remains is something in need of massive investment or replacement.

Of course, there are exceptions. It is remarkable when you come across a piano 100 years old or more, which has been miraculously preserved - perhaps because it has only ever been played by the tuner who calls every now and then. Examples of pianos with no wear and tear are extremely rare and, when met with, have the air of sad neglect or at least, the vibe of a life not lived. Likely to be valued more as a treasured family heirloom than a musical instrument.

Major rebuilding work on a piano is hugely expensive. Unless the piano is one of the very top makes, the repairs will cost far more than the piano will ever be worth. 

If you need a reliable piano - able to function properly and stand in tune, do not buy an older piano, even if it is pretty! Buying cheap - only to find you have to spend serious money to bring it into reasonable playing order is just an embarrassing waste of money!

Some technicians love older pianos but as a rule, I always think old pianos can never perform as well as a piano half its age. 

When buying a piano, try to get some advice and buy the youngest, most up-together piano you can find. Please do not be hoodwinked by the 'strange fondness for old pianos!'

The Piano World

© Steve Burden

Tuner or Magician?

Tuners are often asked to work some kind of magic on an unpromising piano for a concert. It is surprising pianists don't complain about the condition of the piano they have to play! Perhaps they do - but after the event it's too late for anything to be done about it.

This kind of thing should not happen: 

A celebrity singer and her accompanist felt the piano they were given to use was not up to scratch. So, at very short notice, the tuner was given 30 minutes to work some kind of miracle with a woefully out-of-tune piano.  

Or, for a New Year's Eve event - a Piano Concerto, complete with orchestra... The piano was to arrive 28 December but could not be unpacked until New Year's Eve itself, and the tuner given one hour to tune it for the concert!

A major American comes to town with his band and entourage but need a local tuner to prepare the piano. The day before the gig, organisers ring for a tuner and reckon the job could be done in 45 minutes.

I remember as a very young tuner being sent to tune an elderly piano for a concert by an established pianist. After my initial tuning I was to tune it again after his rehearsal. Alas, he announced the piano was not good enough to play his program. Fortunately my tuning was acceptable but the piano was found wanting.

Why does this kind of thing happen? Surely, anyone who puts on events like these should have some appreciation of what is involved in preparing a piano for a fully professional concert and ensure the piano is up to the task. 

We live in an age when an instant response is expected for any request. In this respect, the piano does not belong in our modern 'instant-fix' world. Every piano is unique, it does not like rapid changes of environment, and even worse, every piano takes its own time to settle down. A pianist taking their own piano on tour has to accept a less than perfectly tuned piano - unless proper arrangements are made well in advance.

Hiring in a piano is not easy when there is little choice and/or limited funds, but who really wants to pay good money to hear good artists doing battle with an inadequate instrument? 

Tuner's Journal

© Steve Burden