Sunday 20 October 2013

The Day of the Minipiano

I have been reading 'The Piano Makers' by David Wainwright. It is a fascinating and well-researched book giving plenty of stories of how makers responded to the ups and downs of trade throughout the long history of the piano. 

In 1934, one English maker, Percy Brasted, discovered a miniature piano that was made in Stockholm by Messrs Lundholm. He bought the rights and began making the piano and called it the 'Minipiano' (This was the first registered use of the prefix 'Mini'.)

Piano tuners may never have really liked them but the minipiano restored the fortunes of the piano trade for many years. To give an extra sparkle to the appeal of these pianos, they began  producing the cases in different colours - this was a very daring move in the 1930s!

"... on the day the coloured Minipianos first appeared in the windows of the Barnes music shop in Oxford Street, London, and Wilson Peck in Sheffield, police had to be called in to control the crowds!"

Somehow, the thought of a piano being at the centre of civil disturbance in our lifetime, is highly improbable. Watch this space...

The Piano World

© Steve Burden

Sunday 11 August 2013

Bosendorfer Pianos - The Early Years

 There were many piano builders in Vienna in 1828 when Ignaz Bosendorfer began building his pianos.  At 19, Ignaz Bosendofer began an apprenticeship with the organ & piano builder Joseph Brodman.

When he was 34 years old he took over the Brodman workshops and set about improving their pianos. The Viennese pianos were traditionally mellow in sound with a light and easy touch of the action. Improving the construction allowed for heavier strings and a stronger action, thus making the tone much more like that of the modern piano. 

In the piano world, high quality speaks for itself - the rugged reliability of Bösendorfer pianos won the admiration of virtuososFranz Liszt, known for his formidable technique found it difficult to find a piano that could withstand his vigourous playing - until friends suggested he try a Bosendorfer Piano for his recitals.
Using a Bosendorfer, he was impressed to find at the end of the recital, the piano was undamaged! This sensational moment established the Bosendorfer Piano's reputation and their long association with Franz Liszt who wrote, “The perfection of a Bösendorfer exceeds my most ideal expectations...”
Bösendorfer Pianos were soon exported to the rest of Europe and overseas so that Bosendorfer became the best-known of all Austrian pianos.
About 1860, Ludwig Bösendorfer succeeded his father in carrying on the business and moving to a new factory in New Vienna. Bösendorfer had to move again ten years later to cope with the growing demand for Bosendorfer Pianos.
Directory of Piano Makers

© Steve Burden

Wednesday 24 July 2013

Bechstein Pianos - A short History

Carl Bechstein had a firm grasp of piano making while still a young man, he also had an acute understanding of how to use publicity to further his business. His first grand piano was built in 1856 - a piano on which Hans von Bulow gave a concert playing Liszt's piano sonata. This concert earned the Bechstein Piano universal praise, and thus Bechstein became a piano-making force to be reckoned with!

The following year, Hans von Bulow is believed to have written that, "Bechstein is, in my opinion, the foremost maker of grand pianos in Germany, although he has built only three so far..." In 1861, still seeking to further the cause of Bechstein Pianos, he wrote to Klindworth insisting that the Bechstein Piano be properly demonstrated at the upcoming International Exhibition in London.

Sure enough, at the 1862 London Industrial Exhibition, Bechstein was awarded the English Grand Prix. The pianos were described as "distinguished by outstanding freshness and breadth of tone, quality of play and uniformity of the different registers..."
The Bechstein Piano appealed to the musical elite and to numerous Royal Households. In 1881, a Bechstein Piano was sent to Queen Victoria at Buckingham Palace. In 1885 what was to become the largest dealership in Europe was opened in London. During the early years of the 20th century the list of royal clients grew to include the tsars of Russia and the royal families of Spain, Belgium, the Netherlands, Italy, Sweden, Norway, Austria and Denmark.

The annual production from the Bechstein factories grew steadily. In 1900, annual production was about 3,700 pianos. By 1910, this had increased to about 4,600. 

Bechstein Pianos still have the something of their 'freshness and breadth of tone'! The build quality is legendary and even today, many pre 1900 Bechstein Pianos are thought worthy of total rebuilding. The Bechstein Piano deserves its status as one of the foremost Piano Makers of all time.