Straight Talk to Piano Owners

Pianos are to be cherished and enjoyed. Pianos give a family home a musical focus and a source of great pleasure. What can possibly go wrong?

When a tuner or technician, reporting on a much loved family heirloom gets to 'bottom line' as it were, sadly, too often there is not a lot of good news.

Piano owners hope that an old piano can be made good for as little as £50. If only this were possible! Frequently asked questions about the potential of a given piano, will quite understandably, raise the issue of cost. 

One piano was described as having been attacked by moth! "How much to fix this?" 

Another has a number of notes that stick - making the piano virtually unplayable! "How much to fix this?" 

"My piano has a number of broken strings! How much to fix these?"

The grim reality with all these problems is that none of them are properly sorted without spending a considerable amount of money. It is not easy to communicate that a piano is beyond viable hope.

Spending large amounts of money is advisable only on what is already a good quality, named piano. Even then, the money spent will be more than the eventual value of the refurbished piano. If the piano has a particular family history - precious memories of loved ones no longer present - then the cost becomes irrelevant and the project becomes one of preserving a cherished item of a family's history. This is priceless!

The development of the piano was largely complete by 1900. Since then, focus of further development has been more on materials and methods of construction. 

The use of plastic in the action and keys became quite widespread in the UK during the 1970s. These pianos cannot be described as being old but have serious problems. It is very difficult for the owners of these very poor pianos to understand why their beautiful little 'modern' piano should be written off so glibly, or given a value so low that they have to give it away. Alas, these pianos are simply beyond sensible repair. 

Thankfully, the better quality pianos of this period stuck to more traditional materials and consequently they still offer the piano owner great service and very good value for money. Repairs if they are needed, might seem expensive but should rejuvenate all the fine pianistic ideals of the piano maker's original creative flair.

The piano world is a confusing and unforgiving place. Buyer, beware! Before being persuaded to part with lots of money for a purchase or a repair, try to get quality, informed and impartial help. 

Pianos are to be cherished and enjoyed, they are not supposed to be a source of regret and dissatisfaction.  

The Piano World 

© Steve Burden
Pianology

Collard & Collard

The history of Collard & Collard begins around 1760. The story starts with a Music Publishing Company called Longmann & Broderip who dabbled in making pianos. Muzio Clementi, whose many compositions were published by Longmann & Broderip was interested in having a piano-making facility and, being wealthy, he invested in the piano factory and brought in his associates F.W. & W.P Collard to manage it. 

Clementi traveled widely and sold Pianos along with his compositions.

Orders were sent back to London from wherever Clementi visited - he was a very shrewd businessman. At this time, the company was called Clementi & Company. 

F.W. Collard introduced improvements to their pianos, on the strength of which, they took a significant share of the market. When Clementi died in 1832, the firm became known as Collard & Collard. By this time the pianos were solidly built by craftsmen and had a proven reliability.

The Diary of a Nobody  was published in 1892, written by George & Weeden Grossmith. This charming book is a classic of English literature, telling the story of a Mr. Charles Pooter and describes mundane life in late Victorian England. One anecdote involves a new cottage piano - bought on the three years' system, manufactured by W. Bilkson (in small letters) from Collard & Collard (in very large letters). Collards were by this time at least a well-known household name.

Collard & Collard had established themselves as makers of good quality and reliable pianos. They continued to be popular well into the early 20th century. In the late 1920s the piano trade was having to adjust to the harsh realities of very poor sales. Many long-established makers had to close, those whose 'names' were deemed to have value were bought by the stronger of the surviving companies.

Collard & Collard was eventually bought by Chappells.

Collard & Collard Serial Nos.

Directory of Piano Makers

© Steve Burden

An Artist with a Pencil & Paper

While tuning pianos, automatically, you meet with artistic people. Recently, while finishing a repair job for an 'artist' customer, she asked if, as part of her daily drawing regime, she could sketch me working on the piano. As I was moving all the time - lifting out the keys one by one during the regulating process of the repair - I thought I'd make a poor subject but was surprised this did not seem to matter!

She kindly sent me a copy when she was done and I publish it below. Incredible that a few minutes work with just a pencil and paper can capture the moment with such atmosphere and charm! Thank you Karen...

Drawn by Karen Wallis www.karenwallis.co.uk

Karen is an established artist and involved with the local artist scene here in Bath. Watch: What's the Point of Drawing? This is a discussion of the role and relevance of drawing - an event recorded at Bath in October 2012

P.S. A few days later: Piano back together

The Piano World